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Best mac os x software for transcoding mlv magic lantern raw files
Best mac os x software for transcoding mlv magic lantern raw files











best mac os x software for transcoding mlv magic lantern raw files
  1. #Best mac os x software for transcoding mlv magic lantern raw files pro#
  2. #Best mac os x software for transcoding mlv magic lantern raw files plus#

No batch convert! You have to click on each clip one at a time and press cmd-E for the transcode (Share) window, then press enter twice then select the next clip, repeat. However it has a fundamentally basic flaw (no surprise there). The conversion is real-time so a 1 minute clip takes 1 minute to convert. The reason it is so fast is that it is the ONLY software I know of that encodes to ProRes using both GPU and 64bit CPU acceleration. It didn’t introduce the banding I saw earlier in Premiere either. It was able to transcode in realtime from MJPEG to ProRes. Premiere and Adobe Media Encoder took 3 minutes to transcode a 1 min 1D C clip to 4K ProRes, so around the same speed as Resolve… simply not good enough unfortunately.įCPX on the other hand was simply magic. Resolve can transcode 4K raw faster than this.

#Best mac os x software for transcoding mlv magic lantern raw files pro#

It isn’t much better on a Mac Pro as it isn’t optimised for MJPEG and it isn’t very good under Windows either. That means hours, potentially days of transcoding time for less than a day of shooting. The speed of the transcode then becomes the next hurdle… Resolve could barely muster 10fps and averaged 7fps. Yet this yields a file of 720MB from the 4GB original. That’s more like a GH4 clip! Never mind HQ, I find a high quality transcode to ProRes Proxy is almost visually lossless compared to the original 4K MJPEG files. I see no reason to keep the MJPEG when the ProRes looks identical.

best mac os x software for transcoding mlv magic lantern raw files

Way to go!Ī transcode from crappy MJPEG to glorious ProRes has the potential to save A LOT of drive space over the year when edits get locked and master files get archived away. Premiere is my main editor and it cuts through 4K ProRes like butter, just not 4K MJPEG or H.264. Also the 1D C’s files are enormous – 1 minute it clocks in at 4GB and the 1D C splits files at this point, so a 4 minute clip is actually 4 separate files despite the card being formatted ExFat. Yet I can edit a multi-track 1D C project straight away in FCPX and not even have to transcode at all. However I still want to transcode the 4K MJPEG files. On my Macbook Pro Retina 15″ and 27″ iMac 2013 it was the only one capable of playing 4K MJPEG material in realtime, flawlessly.

#Best mac os x software for transcoding mlv magic lantern raw files plus#

The Canon 1D C’s massive 4K files gave me a good chance this week to put Premiere CC, Resolve 11 and Final Cut Pro X through the grinder plus a few other apps as well. The camera showed up some marked differences between the apps.įCPX’s performance is astounding. The answer may surprise you… Adobe vs Apple vs Blackmagic – transcoding speed in 4K I don’t use FCPX as my editor, and why should I use it to transcode media when we have Compressor for that?













Best mac os x software for transcoding mlv magic lantern raw files